an online literary magazine for extra pungent poetry and prose

Keyi Wang

The Twelfth Elegy

If I stopped murmuring
            who would question me down here
                        amidst these unripened pomegranates?
Take one. Think of its plumpness
            its redness its silence
                        its fury its nonchalance
towards its own existence—
            that tender inability to be crushed

Nothing depends on
an angel, so squish
her in my hands, pearls
in poison, repeating
words, they call them
language, okay, isn’t it
just food, drenched in
red lips & vodka, groping
for dirt, for cotton, for
winter coconuts, for

                        even days after it leaves the womb.
We have wasted too many eternities
            in attempting to preserve the “is”
                        the “was” the “will be.” We watched
the ups and
            downs of the acrobats

your worn copy of Oedipus
to prove our nonlinear line
of reasoning is going some-
where—cream cheese, pepper,
fractured bananas, but my
aged plum juice frosts along

                        and their persistence in performing
because their audience
            paid to watch. Oh—isn’t transience
                        all about this unstoppable continuation?
The supposed ideal performance
            wouldn’t alter the brevity

this music, sway sway turn
groove along sing along,
a long way of flamenco to
tell Lord Henry this isn’t
hedonism, what does it
mean anyway, just night-
gowns, nightstands, air
sober enough to jump off

                        of our stay:
to oversearch is to blunder
            and to overthink is to fear.
                        Clinging to those
we temporarily touch
            and longing for those
                        that temporarily touch us…
Leave a window open
            for death to waltz in—
                        this rendezvous of consolation
shall cure the backstreets

a Parisian balcony where
I thought I’d started to
understand things but
what even is this, so hand
me salt, pillows, erasers
weep before bed because

            of pain and the city of apparitions.
                        Listen to the party
still in full bloom
            still with laughter
                        audible through the wall. I hope
to die like a kid
            falling asleep
                        in a family party
wondering when it will end
            and feeling safe knowing
                        it’s okay to fall asleep.
Run a bath.
            Read a little more.
                        Race while wine-drunk on a cruise ship.
Happiness comes in waves

I am funny, am I not?
Let scrunchies advise
those gaps in circuits
(for the plot I swear)
heat meaning error
spark meaning heat
keep the first person
away & loosen its ties

            when the moon rises
                        just for the fun of it.
Keep hating.
            Keep loving
                        even unrequitedly
for our love
            can be only unrequited—
                        we learned to love existing
just to learn
            that even the wind
                        has chosen to ignore us.
Ugly lonely beings:

what’s wrong with
us, me, what our
pronouns couldn’t
point to, for I’m now
what I’ve argued against
and now here now the
insides of the fruit oh
red red burning sapphire

            isn’t it a joy
                        that we are disappearing?
After walking through this
            death should be easier.
                        Letting go
is to become art
            and being let go
                        is to become human.
Angels, I really called you
            to pass this minute
                        waiting for coffee to
drip

no I have to hang up
I need to go but I
am not an angel &
no prose no mesocosm
no pomegranates no
hairbands no buttons
no dictionaries no no
wait no okay right—

            into my lovely
                        mug.
Only on Earth will you know
            the falling of a happy thing
                        is just

gravity.


Keyi Wang (she/they) is a young poet from Shenzhen, China, and an incoming freshman who will study creative writing at Princeton University. She has published three poetry chapbooks, and her poems have been published by various literary journals. She was born to light metaphorical fires but finds herself forced to succumb to the passage of time.